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Eventually, cute’s ravenous appetite eclipses functionality. The child is so Cuteness does not pause and rest content.The finale of this crescendo effect is the transition from cute as a mode of apprehension to a mode of tactility, from looking to touching.
Nothing possessed of full sentience can be cute, at least not simultaneous to it achieving cuteness.These are not sterile pecks on the cheek, but full-throttle French kisses, the kind that distend the neck and leave glistening saliva all around.The piece proved an heir to the cautious repugnance relegated to cat women, those self-elected pariahs who have exchanged human company for feline and carry the molt to prove it.They command attention and accommodation, shamelessly exerting control over an entire household.Cats are notoriously conceited, supremely confident of their dominance.Cute theorist Sianne Ngai argues that touchability is a core property of cuteness, one of its definitive characteristics.
Whether animate or inanimate, cute things emit a recognizable siren call, signaling (in their cute way, with a squeak or a whisper) that they want nothing more than a good fondling.
Schneemann, the creator of the infamous , in which she read from a manuscript extracted from her vagina, has always had a knack for intuiting the point at which contemporary art’s tolerance for transgression shudders and snaps.
And yet on the surface, seems hardly so outré as these earlier works: no vaginal fluid and no raw meat, only methodical documentation of a cat’s belovedness.
“It is horrifying,” she writes, “to feel the fragile bones Cuteness and cruelty are bedfellows more often than we care to admit.
By positing a cat with agency enough to consensually kiss, Schneemann’s photographs refute cuteness, whereas the ordinary online cat video stokes its fire.
This sort of loving molestation—the very response cute seems to demand—is rooted, argues Daniel Harris, in the sadistic.